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| magazine [2017/10/30 13:31] – judith | magazine [2021/03/17 12:31] – [No III, August 1866.] judith |
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| ===== No III, August 1866. ===== | ===== No III, August 1866. ===== |
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| The Marroon Magazine was no light undertaking - this one was 159 pages long, with numerous contributions by M.M.P (Matilda) and her daughter Rosa, the future novelist. Some note of contents: | The Marroon Magazine was no light undertaking - this issue was 159 pages long, with numerous contributions by M.M.P (Matilda) and her daughter Rosa, the future novelist. Some note of contents: |
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| * TLM-P had traditional views on women, but this issue reveals that, while the gender divisions are clear, at least one of his daughters had subversive ideas about the conventional role of women. In her story the hero marries another; he is duly unhappy and his wife leaves him. Traditionally, the heroine dies of a broken heart, but not this one! Instead the hero dies leaving all he possesses to the heroine 'thus rendering me independent for life'! The sign-off is equally subversive: the writer hopes the reader has enjoyed the story although it has been written by "An Old Maid". (given the standard of writing, most likely the 15 year-old Rosa rather than 12 year old Lizzie)\\ | * TLM-P had traditional views on women, but this issue reveals that, while the gender divisions are clear, his daughters were independently minded to an unusual degree. In one story the hero marries another; he is duly unhappy and his wife leaves him. Traditionally, the heroine dies of a broken heart or eventually marries her love, but not this one! Instead the hero dies leaving all he possesses to the heroine 'thus rendering me independent for life'! The sign-off is equally subversive: the writer hopes the reader has enjoyed the story although it has been written by "An Old Maid".\\ |
| * Essays and poems about celebrated women such as ([[wp>Joan_of_Arc|Joan of Arc]] and [[wp>Catherine_de%27_Medici|Catherine de Medici]]) signed 'M.M.P.' | * Essays and poems about celebrated women and men such as [[wp>Joan_of_Arc|Joan of Arc]], [[wp>Catherine_de%27_Medici|Catherine de Medici]] and [[wp>Cardinal_Mazarin|Cardinal Mazarin]], many signed 'M.M.P.' That 'M.M.P.' was Matilda as is evident in one of the other poems signed 'M.M.P.' commending good behaviour by Lizzie and Redmond. The poem is entitled 'Lizzie's dolls' and not the most tactful. it ends with\\ |
| * Other essays are on famous men such as [[wp>Cardinal_Mazarin|Cardinal Mazarin]] | |
| * 'M.M.P.' was Matilda as is evident in one of the other poems signed 'M.M.P.' commending good behaviour by Lizzie and Redmond. The poem is entitled 'Lizzie's dolls' and ends with\\ | |
| Lizzie and Reddy are good children ever\\ | Lizzie and Reddy are good children ever\\ |
| Though not very bright, nor yet very clever\\ | Though not very bright, nor yet very clever\\ |
| When Hervey and Hugh are making a noise\\ | When Hervey and Hugh are making a noise\\ |
| They quietly play with their dolls and their toys.\\ | They quietly play with their dolls and their toys.\\ |
| * A light-hearted and clever take on a feature of the papers of the time is 'Fashionable Intelligence'. The item that His Holiness the Pope left Marroon for Brisbane appears a teasing reference to the eldest son of the family, [[thomas_de_montmorenci_florence_m-p|Thomas de Montmorenci M-P]]. Visitors were noted in the style of such items: amongst others, 'Mrs Pope' (check) entertained the Bundocks (Mary Bundock would marry into the family) and Richard Harpur. There is also a note that 'Miss Hollinsworth, known to readers as 'Aston Rose'(?) left Maroon 'to our regret'. The girls' governess? | * A light-hearted and clever take on a feature of the papers of the time is 'Fashionable Intelligence'. The item that His Holiness the Pope left Marroon for Brisbane maybe a teasing reference to [[thomas_de_montmorenci_florence_mary_m-p|T de M.M-P]]. There is also mention of visitors including the Bundocks (Mary Bundock would be the second wife of [[thomas_de_montmorenci_florence_mary_m-p|Thomas de M. M-P]]) and Richard Harpur. There is also a note that 'Miss Hollinsworth, known to readers as 'Aston Rose'(?) left Maroon 'to our regret'. The Hollinsworths came out on the same ship as Matilda and her family when emigrating to Australia. |
| * Rosa (then calling herself Rosie Prior) demonstrated her literary talents with Chapter 1 of a long story entitled Barbarian's Dream. Her preciosity is also seen in her poem the 'Roman Battle Song' with its note that it had been written by 9-year-old 'RMP' in 1860. | * Rosa demonstrated her literary talents with, among other contributions, Chapter 1 of a long story entitled Barbarian's Dream. Her preciosity is also seen in her poem the 'Roman Battle Song' with its note that it had been written by 9-year-old 'RMP' in 1860. |
| * 'T. de M. M.P.' (Thomas Montmorenci M-P) contributed an essay on steam navigation and possibly other items including a poem on the joys of riding:\\ | * 'T. de M. M.P.' (Thomas de Montmorenci M-P) contributed an essay on steam navigation and possibly other items including a poem on the joys of riding:\\ |
| You may take pleasure in sailing\\ | You may take pleasure in sailing\\ |
| A horse for me with a pace like the wind\\ | A horse for me with a pace like the wind\\ |
| That leaves all my rivals far behind ...\\ | That leaves all |
| | my rivals far behind ...\\ |
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| ==== Number IV (September 1866) ==== | ==== Number IV (September 1866) ==== |
| This issue too is a lively and varied collection of the children's sketches and writing - particularly by Rosa - along with that of their mother. 'His Holiness the Pope' gets a further teasing reference to his return to Maroon, and his courting of a 'fair young mademoiselle' who lives at Kangaroo Point. If this was Florence Moor, the courtship had another 12 years to go before they married. This issue also noted a play the children performed to celebrate the 20th wedding anniversary of the 'Heads of this Family' - in this time of Victorian patriarchy, the plural ('Head') is another suggestion that not all in the family shared TLM-P's conservative ideas of a woman's role.\\ | This issue too is a lively and varied collection of the children's sketches and writing - particularly by Rosa - along with that of their mother. 'His Holiness the Pope' gets a further teasing reference to his return to Maroon, and his courting of a 'fair young mademoiselle' who lives at Kangaroo Point. If this was Florence Moor, the courtship had another 12 years to go before they married. This issue also noted a play the children performed to celebrate the 20th wedding anniversary of the 'Heads of this Family' - in this time of Victorian patriarchy, the plural ('Heads') is another indication that the family viewed women to be equal, at least within the family, to men.\\ |
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| ==== New Series No. I May 1867 ==== | ==== New Series No. I May 1867 ==== |
| One poem cannot be read without awareness that Matilda would die the following year:\\ | One poem cannot be read without awareness that Matilda would die the following year:\\ |
| friends are gone, and mother tho art gone with my sister and my brother 'And I am left alone to mourn\ That dearest, holiest(?) best, my mother'. C.R. | friends are gone, and mother tho art gone with my sister and my brother 'And I am left alone to mourn\ That dearest, holiest(?) best, my mother'. C.R. |
| The poignancy of that sentiment is enforced by a poem Matilda contributed, to her eldest daughter (Rosa) on her birthday. | The poignancy of that sentiment is enforced by a poem Matilda contributed, to her eldest daughter (Rosa) on her 16th birthday. It ended, 'But ne'er shall fonder heart caress thee/ Than hers who now bids God to bless thee.'((Roderick, //In Mortal Bondage//, p.46.))\\ |
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| Source: Praed papers, QJO Library, ... Box 3. **Need to check as going on old notes.** | Source: Praed papers, QJO Library, ... Box 3. **Need to check as going on old notes.** |